
我自己的声音 My Own Voice - 飒雅.林恩 Zeyar Lynn - 文宇宙|Bookniverse
我自己的声音 My Own Voice
飒雅.林恩 Zeyar Lynn
US $3.20
US $4.00
2013/11
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9789629966171
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PDF
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香港中文大學出版社
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由飒雅.林恩 (Zeyar Lynn)着的我自己的声音 My Own Voice 收录于呼应香港国际诗歌之夜2013而出版的珍贵诗集《岛屿与大陆》。《岛屿或大陆》由北岛,陈嘉恩,方梓勋,柯夏智和马德松所编,收录了来自世界各地优秀当代诗人的作品,以双语或三语呈现。Following the convening of Hong Kong International Poetry Nights 2013, Islands or Continents is a collection of selected works by some of the most internationally acclaimed poets today. The poem of "My Own Voice" by Zeyar Lynn (Myanmar) is finest contemporary poetry in trilingual or bilingual presentation.
作者簡介
查看更多飒雅.林恩 Zeyar Lynn
飒雅. 林恩, 缅甸现代诗人, 已出版七本诗集,两本国际诗人诗作翻译选本( 包括中文诗),五本译诗集( 西尔维亚. 普拉斯,日本现代诗选,日本短歌集,约翰. 阿斯伯里, 以及查尔斯. 伯恩斯坦), 以及三本诗论与诗学文集。他还将缅甸文译为英文。
在缅甸诗歌界, 林恩积极介绍苏联后俄语诗歌,纽约派,语言派(L=A=N=G=U=A=G=E) 写作,Flarf诗歌运动, 以及泛称为「后现代」的诗歌, 因而响出名堂。
林恩在仰光首办联合国教科文组织「世界诗歌日」,现在该活动已在缅甸广为人知。在缅甸, 林恩打破主流的「现代」( 缅甸文为Khit Por) 诗而享负盛名。他开创了一个新的诗歌方向, 偏重建构而非表达, 偏重理智而非抒情。同时,他一直关注社会政治事件。他于2004 年发表「后现代( Post - Khitpor ) 宣言」,启发年轻一代去发掘一条正统和主流诗歌模式之外的新路径。「现代」( Khit Por ) 诗歌仍是主流,「当代诗」却已成为「另类」诗歌。
林恩曾参加2012 年伦敦国际诗歌节。其诗作英译本收录于《骨将鸣:缅甸当代诗人十五人》。
他现居于仰光, 在一所私立学校中教授英语, 并编辑缅甸诗歌三季刊《诗世界》。
Zeyar Lynn, a contemporary Myanmar poet, has already published seven collections of poetry, two anthologies of miscellaneous poetry translations of internationally acclaimed poets including Chinese, five translations of poems (Sylvia Plath, modern Japanese poetry, Japanese tanka, John Ashbery, and Charles Bernstein), and three books of collected articles on poetry and poetics. He also translates from Myanmar to English.
He is known for having introduced post-Soviet Russian poetry, the New York School of poetry, L=A=N=G=U=A=G=E Poetry, Flarf, and what is generally termed “postmodern” poetry into Myanmar.
He was also the first to organize the UNESCO World Poetry Day event in Yangon, which has now become popular throughout the country.
He has earned a reputation in Myanmar for having broken against the mainstream “Khit Por” (Myanmar for “modern”) poetry and set out a different path that is recognizably constructivist rather than expressionist, cerebral rather than emotional, while at the same time not losing sight of the political events in society. His Post-Khitpor Manifesto (2004) opened the way for the younger generation to look for a way out of the dominant and mainstream poetic model. While Khit Por is still mainstream, contemporary poetry has now become its alternative, or “Other.”
He participated in the 2012 London Parnassus International Poetry Festival. His poems have appeared in English in Bones Will Crow: 15 Contemporary Burmese Poets.
Currently, he lives in Yangon where he teaches English in a private school and also works as an editor of the triquarterly Myanmar poetry magazine called Poetry World.
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