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The Making of Chinese-Sinophone Literatures as World LiteratureThe Making of Chinese-Sinophone Literatures as World Literature

The Making of Chinese-Sinophone Literatures as World Literature - Edited by Kuei-fen Chiu and Yingjin Zhang - 文宇宙|Bookniverse

The Making of Chinese-Sinophone Literatures as World Literature

Edited by Kuei-fen Chiu and Yingjin Zhang
US $32.00
US $40.00
publisher date
Tue Dec 21 2021 00:00:00 GMT+0000 (Coordinated Universal Time)
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isbn
9789888842315
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book format
ePub
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publisher name
Hong Kong University Press
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書籍簡介

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Literature > Literature Studies & Criticism > Chinese Literature
Literature > Literature Studies & Criticism > World Literature
In The Making of Chinese-Sinophone Literatures as World Literature, Kuei-fen Chiu and Yingjin Zhang aim to bridge the distance between the scholarship of world literature and that of Chinese and Sinophone literary studies. This edited volume advances research on world literature by bringing in new developments in Chinese/Sinophone literatures and adds a much-needed new global perspective on Chinese literary studies beyond the traditional national literature paradigm and its recent critique by Sinophone studies. In addition to a critical mapping of the domains of world literature, Sinophone literature, and world literature in Chinese to delineate the nuanced differences of these three disciplines, the book addresses the issues of translation, genre, and the impact of media and technology on our understanding of “literature” and “literary prestige.” It also provides critical studies of the complicated ways in which Chinese and Sinophone literatures are translated, received, and reinvested across various genres and media, and thus circulate as world literature. The issues taken up by the contributors to this volume promise fruitful polemical interventions in the studies of world literature from the vantage point of Chinese and Sinophone literatures.

作者簡介

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Edited by Kuei-fen Chiu and Yingjin Zhang
Kuei-fen Chiu is chair professor of Taiwan literature and transnational cultural studies at National Chung Hsing University in Taiwan. She is the co-author of New Chinese-Language Documentaries: Ethics, Subject and Place (2015) and co-editor of Taiwan Cinema, International Reception, and Social Change (2017). Yingjin Zhang is distinguished professor of comparative literature at University of California, San Diego, as well as visiting chair professor of humanities at Shanghai Jiao Tong University, China. He is the author of Cinema, Space, and Polylocality in a Globalizing China (2010) and co-editor of Locating Taiwan Cinema in the Twenty-First Century (2020).

出版社簡介

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Established in 1956, and part of the University of Hong Kong, Asia’s most prominent English-speaking university, HKU Press publishes more than 30 new titles annually, with a growing proportion (more than 25%) in Chinese. Building on Hong Kong's unique global position, HKU Press books examine, critique, and celebrate Asia’s place in the world. We have gained particular renown for publications in Chinese history and culture, law, public health, social work, film/media studies, art and architecture/urban planning.

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