
COUPLET PAIR REBUS—The Principle of Cause and Effect in Art - Harald Kraemer - 文宇宙|Bookniverse
COUPLET PAIR REBUS—The Principle of Cause and Effect in Art
Harald Kraemer
US $22.40
US $28.00
2024/09
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9789887470953
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ePub
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HKU Museum and Art Gallery
書籍簡介
查看更多Art > Calligraphy
Art > Painting
COUPLET PAIR REBUS explores the principle of cause and effect in art, offering various approaches to this philosophical relationship. Based on the UMAG exhibition curated by Harald Kraemer, the COUPLET section is comprised of more than twenty calligraphic pairs of poetic lines, known in Chinese as duilian (對聯). Through the multi-layered texts, one discovers the multitude of voices that can be used to describe nature and the world and how content can be visualised through various forms of calligraphy.
PAIR features artworks that form a balanced equilibrium through diverse visual languages along with objects that exemplify how mankind’s pursuits create objects in symmetrical harmony across genres. While works presented in the REBUS section form a network of diverse references that connect the objects. Individuals are then tasked with decoding these connections like a 3D puzzle.
This publication features an essay by curator Harald Kraemer unpacking the issues of harmony, symmetry and contrasting artistic elements in art. Further, Chinese language scholar Professor Yeuk Hung To Angus contributes a text analysing Chinese couplets and their history and development throughout time, and UMAG Director Florian Knothe provides an analysis of pairs in Western and Eastern art history.
作者簡介
查看更多Harald Kraemer
Harald Kraemer is an art scholar and exhibition maker with a focus on media in museums. He is known for curating educational and immersive exhibitions, such as The Age of Experience, which focus on the primary experience. His exhibitions are accompanied by reflexive catalogues that offer interpretation and examine provocative juxtapositions of artworks.
出版社簡介
查看更多Since its founding in 1953, the University Museum and Art Gallery (UMAG) at The University of Hong Kong has built up a diverse collection of ceramics, bronzes, furniture and works on paper, with objects dating from the Neolithic period (ca. 7000–ca. 2100 BCE) to the Qing dynasty (1644–1911), as well as traditional and modern paintings from the Ming dynasty (1368–1644) to the twenty-first century. UMAG’s publishing program complements the museum’s activities by developing both exhibition catalogues and volumes of original scholarship on a broad range of art historical topics, with a particular focus on East Asia.
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