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Tradition to Contemporary: Ink Painting and Artistic Development in 20th-century China - Sarah Sau Wah Ng and Michelle Ying Ling Huang - 文宇宙|Bookniverse
Tradition to Contemporary: Ink Painting and Artistic Development in 20th-century China
Sarah Sau Wah Ng and Michelle Ying Ling Huang
US $24.00
US $30.00
2018/10
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9789887470991
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ePub
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HKU Museum and Art Gallery
書籍簡介
查看更多Art > Painting > Chinese Painting
Art > Painting > Chinese Painters & Works
The University Museum and Art Gallery (UMAG) of the University of Hong Kong presents the Chinese painting exhibition Tradition to Contemporary: Ink Painting and Artistic Development in 20th-century China. The exhibition is curated from artworks within the museum’s permanent collection. Works trace the evolution of ink painting in Hong Kong, and include many of the masters that have helped to build the city’s art scene and museum collections.
The exhibition and its associated catalogue offers audiences a broad overview of the provenance and aesthetic quality of individual works, and the cultural interactions among twentieth-century Chinese artists, curators, collectors and scholars in Hong Kong, mainland China and abroad. It makes reference to individuals and their networks, to teacher-student relationships and to the generosity of the numerous painters who have helped UMAG to grow the museum’s holdings, and whose work constitutes the foundation of UMAG’s educational work today. Since initiating the publicly accessible collection in the 1950s, UMAG has been closely connected to the development of these painters and their work, and has actively documented the evolution of their artistic talents and the Hong Kong art scene.
作者簡介
查看更多Sarah Sau Wah Ng and Michelle Ying Ling Huang
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出版社簡介
查看更多Since its founding in 1953, the University Museum and Art Gallery (UMAG) at The University of Hong Kong has built up a diverse collection of ceramics, bronzes, furniture and works on paper, with objects dating from the Neolithic period (ca. 7000–ca. 2100 BCE) to the Qing dynasty (1644–1911), as well as traditional and modern paintings from the Ming dynasty (1368–1644) to the twenty-first century. UMAG’s publishing program complements the museum’s activities by developing both exhibition catalogues and volumes of original scholarship on a broad range of art historical topics, with a particular focus on East Asia.
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