
Imagining Qianlong: Louis XV’s Chinese Emperor Tapestries and Battle Scene Prints at the Imperial Court in Beijing - Florian Knothe, Pascal-François Bertrand, Kristel Smentek, and Nicholas Pearce - 文宇宙|Bookniverse
Imagining Qianlong: Louis XV’s Chinese Emperor Tapestries and Battle Scene Prints at the Imperial Court in Beijing
Florian Knothe, Pascal-François Bertrand, Kristel Smentek, and Nicholas Pearce
US $20.00
US $25.00
2017/11
|
9789887470984
|
ePub
|
HKU Museum and Art Gallery
書籍簡介
查看更多Art > Art Collection & Appreciation
Art > Other Art Form
This publication accompanies an unprecedented exhibition highlighting four of the magnificent chinoiserie tapestries of Chinese Emperor Qianlong, woven after designs by François Boucher at the famous Beauvais manufactory from 1758–1760. The large and well-preserved textiles form part of the royal French commission by King Louis XV, objects of which were presented to Qianlong in 1766.
These celebrated tapestries are joined by another historic set of culturally related depictions in print—The Battles of the Emperor of China. The engravings were ordered by Qianlong, drawn by Jesuit painters at the Imperial Court in Beijing and then printed in Paris 1769–1774. The ‘culture’ of these prints follows King Louis XIV’s influential images of the Histoire du Roi and presents Qianlong as both a war hero and as the undisputed leader of China in the mid-eighteenth century.
These depictions date to the exact same time period, one that coincides with the high demand for chinoiserie in France—culminating in the world-famous designs by Boucher—and the Imperial Court of China’s interest in French design and culture. Despite their world-renowned fame, these groups of images previously have not been shown together.
Imagining Qianlong presents one of the rare topics to celebrate the court cultures in both France and China, at a time when the empires idolised each other, and cultural influences and exchanges were highly significant and supported by well-established and prosperous monarchs during an increasingly enlightened eighteenth century.
In order to highlight the cross-cultural aspects of this project, Florian Knothe (HKU), Pascal-François Bertrand (Bordeaux), Nicholas Pearce (Glasgow) and Kristel Smentek (MIT) have contributed essays detailing the sociocultural history of the tapestries and prints. Each scholar is an expert in their fields and a well-versed lecturer on Chinese artistic influences in France, as well as French and European Jesuit culture in China.
作者簡介
查看更多Florian Knothe, Pascal-François Bertrand, Kristel Smentek, and Nicholas Pearce
undefined
出版社簡介
查看更多Since its founding in 1953, the University Museum and Art Gallery (UMAG) at The University of Hong Kong has built up a diverse collection of ceramics, bronzes, furniture and works on paper, with objects dating from the Neolithic period (ca. 7000–ca. 2100 BCE) to the Qing dynasty (1644–1911), as well as traditional and modern paintings from the Ming dynasty (1368–1644) to the twenty-first century. UMAG’s publishing program complements the museum’s activities by developing both exhibition catalogues and volumes of original scholarship on a broad range of art historical topics, with a particular focus on East Asia.
閱讀資訊
請安裝 Android 和 iPad/iPhone 「文宇宙」應用程式。這個應用程式會自動與您的帳戶保持同步,讓您隨時隨地上網或離線閱讀。
相似書籍
Ikat Textiles of Timor: Regional Variation and Hidden Asymmetry
US $59.20
US $74.00
Collected and Curated: Masterpieces of Chinese Art from The University Museum and Art Gallery
US $9.60
US $12.00
Pictorial Silks: Chinese Textiles from the UMAG Collection
US $20.00
US $25.00
Japanese Printmakers of the Twentieth-Century Renaissance: Kurosaki Akira and Nakabayashi Tadayoshi
US $28.00
US $35.00
Noda Tetsuya’s Diary of Contemporary Japanese Prints
US $20.80
US $26.00
