
Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan - Edited by Maud Lavin, Ling Yang, and Jing Jamie Zhao - 文宇宙|Bookniverse
Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan
Edited by Maud Lavin, Ling Yang, and Jing Jamie Zhao
US $24.80
US $31.00
Wed Jun 21 2017 00:00:00 GMT+0000 (Coordinated Universal Time)
|
9789888390458
|
ePub
|
Hong Kong University Press
書籍簡介
查看更多Humanities & Social Science > Sociology & Social Work > Pop Culture Research
Humanities & Social Science > Conmultilingual_settingsorary Ideology > Gender Studies
Chinese-speaking popular cultures have never been so queer in this digital, globalist age. The title of this pioneering volume, Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan already gives an idea of the colorful, multifaceted realms the fans inhabit today. Contributors to this collection situate the proliferation of (often online) queer representations, productions, fantasies, and desires as a reaction against the norms in discourses surrounding nation-states, linguistics, geopolitics, genders, and sexualities. Moving beyond the easy polarities between general resistance and capitulation, Queer Fan Cultures explores the fans’ diverse strategies in negotiating with cultural strictures and media censorship. It further outlines the performance of subjectivity, identity, and agency that cyberspace offers to female fans. Presenting a wide array of concrete case studies of queer fandoms in Chinese-speaking contexts, the essays in this volume challenge long-established Western-centric and Japanese-focused fan scholarship by highlighting the significance and specificities of Sinophone queer fan cultures and practices in a globalized world. The geographic organization of the chapters illuminates cultural differences and the other competing forces shaping geocultural intersections among fandoms based in Mainland China, Hong Kong, and Taiwan.
作者簡介
查看更多Edited by Maud Lavin, Ling Yang, and Jing Jamie Zhao
Maud Lavin is a visual and critical studies and art history professor at the School of the Art Institute of Chicago and author of Push Comes to Shove: New Images of Aggressive Women (MIT Press).
Ling Yang is an assistant professor of Chinese at Xiamen University and author of Entertaining the Transitional Era: Super Girl Fandom and the Consumption of Popular Culture (China Social Sciences Press).
Jing Jamie Zhao is a PhD student in film and TV studies at the University of Warwick. She has completed a PhD in gender studies at the Chinese University of Hong Kong.
出版社簡介
查看更多Established in 1956, and part of the University of Hong Kong, Asia’s most prominent English-speaking university, HKU Press publishes more than 30 new titles annually, with a growing proportion (more than 25%) in Chinese. Building on Hong Kong's unique global position, HKU Press books examine, critique, and celebrate Asia’s place in the world. We have gained particular renown for publications in Chinese history and culture, law, public health, social work, film/media studies, art and architecture/urban planning.
閱讀資訊
請安裝 Android 和 iPad/iPhone 「文宇宙」應用程式。這個應用程式會自動與您的帳戶保持同步,讓您隨時隨地上網或離線閱讀。
相似書籍
Shanghai Lalas: Female Tongzhi Communities and Politics in Urban China
US $16.00
US $20.00
華人男同志跨地域研究
US $0.00
Troubling American Women: Narratives of Gender and Nation in Hong Kong
US $23.20
US $29.00
Rebel Men: Masculinity and Attitude in Postsocialist Chinese Literature
US $26.40
US $33.00
Eros of International Relations: Self-Feminizing and the Claiming of Postcolonial Chineseness
US $31.20
US $39.00
