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Ikat Textiles of Timor: Regional Variation and Hidden AsymmetryIkat Textiles of Timor: Regional Variation and Hidden Asymmetry

Ikat Textiles of Timor: Regional Variation and Hidden Asymmetry - Peter ten Hoopen - 文宇宙|Bookniverse

Ikat Textiles of Timor: Regional Variation and Hidden Asymmetry

Peter ten Hoopen
US $59.20
US $74.00
publisher date
2026/01
|
isbn
9789887471066
|
book format
ePub
|
publisher name
HKU Museum and Art Gallery
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書籍簡介

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Art > Art Collection & Appreciation > Antiques
Ikat Textiles of Timor offers an in-depth overview of regional textile styles from both West and East Timor, while also contributing significant new insights into their design traditions. In academic literature, the ikated men’s wraps from Timor have long been described as symmetrical. However, Dr Peter ten Hoopen’s examination of early examples from museums and private collections reveals that, historically, two thirds of these textiles were actually asymmetrical. This discovery challenges an academic consensus that has persisted since 1912, and highlights a previously overlooked level of creative ingenuity—inviting greater admiration for the women who wove these complex designs. Today’s ikat weavers on Timor, like many foreign scholars before them, seem unaware that asymmetry was once a dominant design principle. Many continue to assert that perfect symmetry has always been the tradition. Yet the historical textiles tell a different story. Ten Hoopen’s groundbreaking findings justify his focus on early specimens, which often display a greater degree of design sophistication than their contemporary counterparts. It is striking that earlier researchers failed to recognise or report the prevalence of asymmetry in Timorese textiles. In early pieces, asymmetry is not only present but often dominant. This oversight reflects a broader pattern of neglect: textiles have historically been marginalised in Southeast Asian material culture studies, overshadowed by architecture, sculpture, weaponry, and jewellery. The author hopes that his historical investigations help correct this imbalance by demonstrating that these textiles embody far more artistic ingenuity, intellectual depth, and craftswomanship than previously acknowledged.

作者簡介

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Peter ten Hoopen
Peter ten Hoopen began collecting and studying Indonesian ikat in the late 1970s. He has curated two exhibitions of his textiles in Europe and one in Hong Kong, and published five books on the subject, including Ikat Textiles of the Indonesian Archipelago, the first reference work on the subject. His previous publication Noble Virtuosity reveals levels of virtuosity in the work of Sumbanese textile artists that remained overlooked for over a century of Indonesian textile research.

出版社簡介

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Since its founding in 1953, the University Museum and Art Gallery (UMAG) at The University of Hong Kong has built up a diverse collection of ceramics, bronzes, furniture and works on paper, with objects dating from the Neolithic period (ca. 7000–ca. 2100 BCE) to the Qing dynasty (1644–1911), as well as traditional and modern paintings from the Ming dynasty (1368–1644) to the twenty-first century. UMAG’s publishing program complements the museum’s activities by developing both exhibition catalogues and volumes of original scholarship on a broad range of art historical topics, with a particular focus on East Asia.

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