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COUPLET PAIR REBUS—The Principle of Cause and Effect in ArtCOUPLET PAIR REBUS—The Principle of Cause and Effect in Art

COUPLET PAIR REBUS—The Principle of Cause and Effect in Art - Harald Kraemer - Bookniverse

COUPLET PAIR REBUS—The Principle of Cause and Effect in Art

Harald Kraemer
US $22.40
US $28.00
publisher date
2024/09
|
isbn
9789887470953
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book format
ePub
|
publisher name
香港大學美術博物館
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About this book

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藝術 > 書法
藝術 > 繪畫
COUPLET PAIR REBUS explores the principle of cause and effect in art, offering various approaches to this philosophical relationship. Based on the UMAG exhibition curated by Harald Kraemer, the COUPLET section is comprised of more than twenty calligraphic pairs of poetic lines, known in Chinese as duilian (對聯). Through the multi-layered texts, one discovers the multitude of voices that can be used to describe nature and the world and how content can be visualised through various forms of calligraphy. PAIR features artworks that form a balanced equilibrium through diverse visual languages along with objects that exemplify how mankind’s pursuits create objects in symmetrical harmony across genres. While works presented in the REBUS section form a network of diverse references that connect the objects. Individuals are then tasked with decoding these connections like a 3D puzzle. This publication features an essay by curator Harald Kraemer unpacking the issues of harmony, symmetry and contrasting artistic elements in art. Further, Chinese language scholar Professor Yeuk Hung To Angus contributes a text analysing Chinese couplets and their history and development throughout time, and UMAG Director Florian Knothe provides an analysis of pairs in Western and Eastern art history.

About the author(s)

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Harald Kraemer
Harald Kraemer is an art scholar and exhibition maker with a focus on media in museums. He is known for curating educational and immersive exhibitions, such as The Age of Experience, which focus on the primary experience. His exhibitions are accompanied by reflexive catalogues that offer interpretation and examine provocative juxtapositions of artworks.

About the publisher

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自1953年成立以來,香港大學美術博物館(UMAG)逐步建立起豐富多元的館藏,涵蓋陶瓷、青銅器、家具以及紙本藝術品,藏品年代橫跨新石器時代(約公元前7000年至約公元前2100年)至清朝(1644–1911年),同時收藏自明朝(1368–1644年)至二十一世紀的傳統與現代繪畫。UMAG的出版計劃亦積極配合博物館活動,不僅有展覽圖錄,亦出版涵蓋廣泛藝術史主題、以東亞為重點的原創學術著作。

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