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Trauma and Cinema: Cross-Cultural ExplorationsTrauma and Cinema: Cross-Cultural Explorations

Trauma and Cinema: Cross-Cultural Explorations - Edited by E. Ann Kaplan and Ban Wang - Bookniverse

Trauma and Cinema: Cross-Cultural Explorations

Edited by E. Ann Kaplan and Ban Wang
US $29.00
publisher date
Wed Feb 11 2004 00:00:00 GMT+0000 (Coordinated Universal Time)
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isbn
9789882202955
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book format
PDF
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publisher name
Hong Kong University Press
copycopy

About this book

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Humanities & Social Science > Conmultilingual_settingsorary Ideology > Cultural Research & Critics
Art > Film > Film History & Theory
This volume addresses the relation of trauma to transnational modern mass media. The first of its kind, Trauma and Cinema: Cross-Cultural Explorations provides ten essays which explore the ways trauma works itself out as media – in images in (and as) film, photography, and video – in global cultural flows. The focus of our volume on the matrix of trauma, visual media and modernity seeks to engage and go beyond current tendencies in trauma studies. The book discusses how trauma presented in the media spills over national boundaries and can be found in images across divergent cultures in Africa, Asia, Australia, Europe and America. From the Holocaust to the Chinese Cultural Revolution, from Taiwan’s colonial experience to the catastrophe of Hiroshima, from attempted annihilation of Australian Aborigines to attempted reconciliation in South Africa, these essays offer the reader a plethora of images of trauma for comparison and contrast. Contributors to this book: Robert Chi Joshua Hirsch E. Ann Kaplan Petra Kuppers Sarah Lincoln Adam Lowenstein Andrew Slade Janet Walker Ban Wang Zhaohui Xiong

About the author(s)

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Edited by E. Ann Kaplan and Ban Wang
E. Ann Kaplan is Professor of English and Comparative Literature and Director of the Humanities Institute at the Stony Brook University. She is the author of many books and articles, including several on feminism and film. Ban Wang is a Professor of Asian Studies at Rutgers University and the author of The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century China (Stanford University Press, 1997).

About the publisher

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Established in 1956, and part of the University of Hong Kong, Asia’s most prominent English-speaking university, HKU Press publishes more than 30 new titles annually, with a growing proportion (more than 25%) in Chinese. Building on Hong Kong's unique global position, HKU Press books examine, critique, and celebrate Asia’s place in the world. We have gained particular renown for publications in Chinese history and culture, law, public health, social work, film/media studies, art and architecture/urban planning.

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