
釜山國際電影節和韓國電影 - SooJeong Ahn - Bookniverse
釜山國際電影節和韓國電影
SooJeong Ahn
US $20.00
Tue Jan 03 2012 00:00:00 GMT+0000 (Coordinated Universal Time)
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9789882209237
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ePub
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香港大學出版社
About this book
View more藝術 > 電影 > 電影史/理論
This book provides a political and cultural exploration of the Pusan International Film Festival in South Korea since its inception in 1996. By paying a particular attention to the organizers’ use of an Asian regionalization strategy, SooJeong Ahn reveals how the festival staked out a unique and influential position within a rapidly changing global landscape.
Very little primary empirical research has been conducted to date on non-Western film festivals, though PIFF and Tokyo and Hong Kong have swiftly grown more exciting and influential as testing grounds for global cinema innovations. The initiation, development and growth of PIFF should be understood as resulting from productive tensions in the festival’s efforts to serve local, regional and national constituencies. The book also reflects the complexities of rapid transformation in the South Korean film industry as it has reached out to the global market since the late 1990s.
About the author(s)
View moreSooJeong Ahn
SooJeong Ahn worked for the Pusan International Film Festival between 1998 and 2002 and has completed a Ph.D. on film festivals at the University of Nottingham. Her recent publications include “Re-imagining the Past: Programming South Korean Retrospectives at PIFF,” in Film International (Vol. 6, 2008), “Placing South Korean Cinema into Pusan International Film Festival: Programming Strategy in the Global/Local Context,” in What a Difference a Region Makes: Cultural Studies and Cultural Industries in North-East Asia (2009); “Re-mapping Asian Cinema: The Tenth Anniversary of PIFF in 2005” in Cinemas, Identities and Beyond (2010).
About the publisher
View more香港大學出版社成立於1956年,隸屬於亞洲最具影響力的英語學府——香港大學。出版社每年出版逾三十種新書,且中文書的比例持續增加,現已超過四分之一。憑藉香港獨特的國際地位,香港大學出版社的書籍深入探討、審視並彰顯亞洲在世界中的角色。我們在中國歷史與文化、法律、公共衛生、社會工作、電影與媒體研究、藝術,以及建築與城市規劃等領域的出版物尤為享有盛譽。
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