
Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan - Edited by Maud Lavin, Ling Yang, and Jing Jamie Zhao - Bookniverse
Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan
Edited by Maud Lavin, Ling Yang, and Jing Jamie Zhao
US $24.80
US $31.00
Wed Jun 21 2017 00:00:00 GMT+0000 (Coordinated Universal Time)
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9789888390458
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ePub
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Hong Kong University Press
About this book
View moreHumanities & Social Science > Sociology & Social Work > Pop Culture Research
Humanities & Social Science > Conmultilingual_settingsorary Ideology > Gender Studies
Chinese-speaking popular cultures have never been so queer in this digital, globalist age. The title of this pioneering volume, Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan already gives an idea of the colorful, multifaceted realms the fans inhabit today. Contributors to this collection situate the proliferation of (often online) queer representations, productions, fantasies, and desires as a reaction against the norms in discourses surrounding nation-states, linguistics, geopolitics, genders, and sexualities. Moving beyond the easy polarities between general resistance and capitulation, Queer Fan Cultures explores the fans’ diverse strategies in negotiating with cultural strictures and media censorship. It further outlines the performance of subjectivity, identity, and agency that cyberspace offers to female fans. Presenting a wide array of concrete case studies of queer fandoms in Chinese-speaking contexts, the essays in this volume challenge long-established Western-centric and Japanese-focused fan scholarship by highlighting the significance and specificities of Sinophone queer fan cultures and practices in a globalized world. The geographic organization of the chapters illuminates cultural differences and the other competing forces shaping geocultural intersections among fandoms based in Mainland China, Hong Kong, and Taiwan.
About the author(s)
View moreEdited by Maud Lavin, Ling Yang, and Jing Jamie Zhao
Maud Lavin is a visual and critical studies and art history professor at the School of the Art Institute of Chicago and author of Push Comes to Shove: New Images of Aggressive Women (MIT Press).
Ling Yang is an assistant professor of Chinese at Xiamen University and author of Entertaining the Transitional Era: Super Girl Fandom and the Consumption of Popular Culture (China Social Sciences Press).
Jing Jamie Zhao is a PhD student in film and TV studies at the University of Warwick. She has completed a PhD in gender studies at the Chinese University of Hong Kong.
About the publisher
View moreEstablished in 1956, and part of the University of Hong Kong, Asia’s most prominent English-speaking university, HKU Press publishes more than 30 new titles annually, with a growing proportion (more than 25%) in Chinese. Building on Hong Kong's unique global position, HKU Press books examine, critique, and celebrate Asia’s place in the world. We have gained particular renown for publications in Chinese history and culture, law, public health, social work, film/media studies, art and architecture/urban planning.
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