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Contesting the Myths of Samurai Baseball: Cultural Representations of Japan’s National PastimeContesting the Myths of Samurai Baseball: Cultural Representations of Japan’s National Pastime

Contesting the Myths of Samurai Baseball: Cultural Representations of Japan’s National Pastime - Christopher T. Keaveney - Bookniverse

Contesting the Myths of Samurai Baseball: Cultural Representations of Japan’s National Pastime

Christopher T. Keaveney
US $28.80
US $36.00
publisher date
Mon Mar 19 2018 00:00:00 GMT+0000 (Coordinated Universal Time)
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isbn
9789888455355
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book format
PDF
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publisher name
Hong Kong University Press
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About this book

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Humanities & Social Science > Sociology & Social Work > Pop Culture Research
Humanities & Social Science > General Social Science & Research
Almost right from the introduction of baseball to Japan the sport was regarded as qualitatively different from the original American model. This vision of Japanese baseball associates the sport with steadfast devotion (magokoro) and the values of the samurai class in the code of Bushidō, in which greatness is achieved through hard work under the tutelage of a selfless master. In Contesting the Myths of Samurai Baseball Keaveney analyzes the persistent appeal of such mythologizing, arguing that the sport has been serving as a repository for traditional values, to which the Japanese have returned time and again in epochs of uncertainty and change. Baseball and modern culture emerged and developed side by side in Japan, giving cultural representations of this national pastime special insights into Japanese values and their contortions from the late nineteenth century to the present day. Keaveney explains the origins of the cultural construct “Samurai baseball” and reflects on the recurrences of these essentialist discourses at critical junctures in Japan’s modern history. Since the early modern period, writers, filmmakers, and manga artists have alternately affirmed and debunked these popular myths of baseball. This study presents an overview of these cultural products, beginning with Masaoka Shiki’s pioneering baseball writings, then moves on to the long history of baseball films and the venerable tradition of baseball fiction, and finally considers the substantial body of baseball manga and anime. Perhaps what is most striking is the continuous relevance of baseball and its values as a point of cultural reference for the Japanese people; their engagement with baseball is a genuine national love affair.

About the author(s)

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Christopher T. Keaveney
Christopher T. Keaveney’s research revolves around modern Japanese culture and cultural relations between China and Japan. He is the co-chair of the Asian Studies program and a professor of Japanese in the Department of Global Languages and Cultural Studies at Linfield College in McMinnville, Oregon.

About the publisher

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Established in 1956, and part of the University of Hong Kong, Asia’s most prominent English-speaking university, HKU Press publishes more than 30 new titles annually, with a growing proportion (more than 25%) in Chinese. Building on Hong Kong's unique global position, HKU Press books examine, critique, and celebrate Asia’s place in the world. We have gained particular renown for publications in Chinese history and culture, law, public health, social work, film/media studies, art and architecture/urban planning.

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