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中國—藝術—現代性:二十世紀初至今的中華視覺藝術中國—藝術—現代性:二十世紀初至今的中華視覺藝術

中國—藝術—現代性:二十世紀初至今的中華視覺藝術 - David Clarke - Bookniverse

中國—藝術—現代性:二十世紀初至今的中華視覺藝術

David Clarke
US $36.00
publisher date
Tue Jan 22 2019 00:00:00 GMT+0000 (Coordinated Universal Time)
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isbn
9789888455584
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book format
PDF
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publisher name
香港大學出版社
copycopy

About this book

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藝術 > 美術設計 > 美術設計理論
歷史 > 中國歷史
China—Art—Modernity provides a critical introduction to modern and contemporary Chinese art as a whole. It illuminates what is distinctive and significant about the rich range of art created during the tumultuous period of Chinese history from the end of Imperial rule to the present day. The story of Chinese art in the twentieth and twenty-first centuries is shown to be deeply intertwined with that of the country’s broader socio-political development, with art serving both as a tool for the creation of a new national culture and as a means for critiquing the forms that culture has taken. The book’s approach is inclusive. In addition to treating art within the Chinese Mainland itself during the Republican and Communist eras, for instance, it also looks at the art of colonial Hong Kong, Taiwan and the Chinese diaspora. Similarly, it gives equal prominence to artists employing tools and idioms of indigenous Chinese origin and those who engage with international styles and contemporary media. In this way it writes China into the global story of modern art as a whole at a moment in intellectual history when Western-centred stories of modern and contemporary culture are finally being recognized as parochial and inadequate. Assuming no previous background knowledge of Chinese history and culture, this concise yet comprehensive and richly-illustrated book will appeal to those who already have an established interest in modern Chinese art and those for whom this is a novel topic. It will be of particular value to students of Chinese art or modern art in general, but it is also for those in the wider reading public with a curiosity about modern China. At a time when that country has become a major actor on the world stage in all sorts of ways, accessible sources of information concerning its modern visual culture are nevertheless surprisingly scarce. As a consequence, a fully nuanced picture of China’s place in the modern world remains elusive. China—Art—Modernity is a timely remedy for that situation.

About the author(s)

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David Clarke
David Clarke is an honorary professor in the Department of Fine Arts, University of Hong Kong, where he taught from 1986 to 2017. Trained in London, he is both an art historian and a visual artist. Amongst his earlier books are Hong Kong Art: Culture and Decolonization (2001), Water and Art (2010), and Chinese Art and its Encounter with the World (2011).

About the publisher

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香港大學出版社成立於1956年,隸屬於亞洲最具影響力的英語學府——香港大學。出版社每年出版逾三十種新書,且中文書的比例持續增加,現已超過四分之一。憑藉香港獨特的國際地位,香港大學出版社的書籍深入探討、審視並彰顯亞洲在世界中的角色。我們在中國歷史與文化、法律、公共衛生、社會工作、電影與媒體研究、藝術,以及建築與城市規劃等領域的出版物尤為享有盛譽。

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