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The Many Faces of Ruan Dacheng: Poet, Playwright, Politician in Seventeenth-Century ChinaThe Many Faces of Ruan Dacheng: Poet, Playwright, Politician in Seventeenth-Century China

The Many Faces of Ruan Dacheng: Poet, Playwright, Politician in Seventeenth-Century China - Alison Hardie - Bookniverse

The Many Faces of Ruan Dacheng: Poet, Playwright, Politician in Seventeenth-Century China

Alison Hardie
US $49.00
publisher date
Fri Mar 11 2022 00:00:00 GMT+0000 (Coordinated Universal Time)
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isbn
9789888805273
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book format
ePub
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publisher name
Hong Kong University Press
copycopy

About this book

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Biography > Cultural & Academic Sector
History > Chinese History
The Many Faces of Ruan Dacheng: Poet, Playwright, Politician in Seventeenth-Century China is the first monograph in English on a controversial Ming dynasty literary figure. It examines and reassesses the life and work of Ruan Dacheng (1587–1646), a poet, dramatist, and politician in the late Ming period. Ruan Dacheng was in his own time a highly regarded poet, but is best known as a dramatist, and his poetry is now largely unknown. He is most notorious as a ‘treacherous official’ of the Ming–Qing transition, and as a result his literary work—his plays as well as his poetry—has been neglected and undervalued. Hardie argues that Ruan’s literary work is of much greater significance in the history of Chinese literature than has generally been recognised since his own time. Ruan, rather than being a transgressive figure, is actually a very typical late Ming literatus, and as such his attitudes towards identity and authenticity can add to our understanding of these issues in late Ming intellectual history. These insights will impact on the cultural and intellectual history of late imperial China.

About the author(s)

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Alison Hardie
Alison Hardie is an honorary research fellow in Chinese studies at the University of Leeds. Her primary research interest is the cultural history of Ming dynasty China, particularly the sixteenth to seventeenth centuries, and the Ming–Qing transition. She has published extensively on the garden history and culture of this period, particularly the use of gardens for self-representation, as well as publishing translations of garden literature. She is the translator of Ji Cheng’s seventeenth-century treatise The Craft of Gardens (Yuanye) and editor of The Dumbarton Oaks Anthology of Chinese Garden Literature (2020).

About the publisher

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Established in 1956, and part of the University of Hong Kong, Asia’s most prominent English-speaking university, HKU Press publishes more than 30 new titles annually, with a growing proportion (more than 25%) in Chinese. Building on Hong Kong's unique global position, HKU Press books examine, critique, and celebrate Asia’s place in the world. We have gained particular renown for publications in Chinese history and culture, law, public health, social work, film/media studies, art and architecture/urban planning.

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