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Noda Tetsuya’s Diary of Contemporary Japanese PrintsNoda Tetsuya’s Diary of Contemporary Japanese Prints
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Noda Tetsuya’s Diary of Contemporary Japanese Prints - Kuldip K. Singh - 文宇宙|Bookniverse

Noda Tetsuya’s Diary of Contemporary Japanese Prints

Kuldip K. Singh
US $20.80
US $26.00
publisher date
2022/11
|
isbn
9789887470977
|
book format
ePub
|
publisher name
HKU Museum and Art Gallery
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書籍簡介

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Art > Painting > Various Painters & Works
Art > Art Collection & Appreciation
Influenced by his upbringing in post-war Japan, and the ideological, social, economic and artistic transformations of the era, Noda Tetsuya started to build a diary of prints in the 1960s, recording his daily life and mastering the challenge of documenting the reality around him in both true and artistic fashion. Works presented in this publication offer unparalleled insights into the artist’s hand skills and color palette, as well as his intense personal feelings and trademark humility. Few printmakers are quite as exploratory in terms of their technique and so precise in their choice of depicted subjects. Noda Tetsuya’s Diary of Contemporary Japanese Prints represents the long-accumulated knowledge of a well-practiced artform by one of Japan’s bestestablished artists, while also documenting—in true diary fashion—events that have shaped his personal life, while also standing for the collective experience of Noda’s generation and the societal change witnessed over the last several decades.

作者簡介

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Kuldip K. Singh
Kuldip K. Singh was a researcher at the University Museum and Art Gallery, HKU, specializing in East Asian art and material culture.

出版社簡介

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Since its founding in 1953, the University Museum and Art Gallery (UMAG) at The University of Hong Kong has built up a diverse collection of ceramics, bronzes, furniture and works on paper, with objects dating from the Neolithic period (ca. 7000–ca. 2100 BCE) to the Qing dynasty (1644–1911), as well as traditional and modern paintings from the Ming dynasty (1368–1644) to the twenty-first century. UMAG’s publishing program complements the museum’s activities by developing both exhibition catalogues and volumes of original scholarship on a broad range of art historical topics, with a particular focus on East Asia.

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