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Embroidered Identities: Ornately Decorated Textiles and Accessories of Chinese Ethnic MinoritiesEmbroidered Identities: Ornately Decorated Textiles and Accessories of Chinese Ethnic Minorities
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Embroidered Identities: Ornately Decorated Textiles and Accessories of Chinese Ethnic Minorities - Edited by Mei-yin Lee and Florian Knothe - 文宇宙|Bookniverse

Embroidered Identities: Ornately Decorated Textiles and Accessories of Chinese Ethnic Minorities

Edited by Mei-yin Lee and Florian Knothe
US $30.40
US $38.00
publisher date
2013/12
|
isbn
9789887471080
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book format
ePub
|
publisher name
HKU Museum and Art Gallery
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書籍簡介

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Art > Art Collection & Appreciation
Art > Other Art Form
This publication accompanies the University Museum and Art Gallery’s exhibition of traditional Chinese costumes, baby carriers and silver ornaments drawn from the collection of Mei-yin Lee. Elaborately embroidered costumes and baby carriers, most of which originate with the Miao, Dong, Shui and Zhuang ethnic tribes of the south-western Chinese provinces of Guizhou, Yunnan, and Guangxi are decorated with richly coloured, stitched and sewn ornamentations—and sometimes silver applications—indigenous to the particular culture and long-lived traditions they derive from. As some ethnic minorities lack a written script, the symbolism and colour-coding found in their textiles form a visual language that presents an important cultural and anthropological development and heritage still in practice today.

作者簡介

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Edited by Mei-yin Lee and Florian Knothe
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Since its founding in 1953, the University Museum and Art Gallery (UMAG) at The University of Hong Kong has built up a diverse collection of ceramics, bronzes, furniture and works on paper, with objects dating from the Neolithic period (ca. 7000–ca. 2100 BCE) to the Qing dynasty (1644–1911), as well as traditional and modern paintings from the Ming dynasty (1368–1644) to the twenty-first century. UMAG’s publishing program complements the museum’s activities by developing both exhibition catalogues and volumes of original scholarship on a broad range of art historical topics, with a particular focus on East Asia.

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