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Collected and Curated: Masterpieces of Chinese Art from The University Museum and Art GalleryCollected and Curated: Masterpieces of Chinese Art from The University Museum and Art Gallery

Collected and Curated: Masterpieces of Chinese Art from The University Museum and Art Gallery - Florian Knothe - Bookniverse

Collected and Curated: Masterpieces of Chinese Art from The University Museum and Art Gallery

Florian Knothe
US $9.60
US $12.00
publisher date
2025/06
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isbn
9789887471035
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book format
ePub
|
publisher name
HKU Museum and Art Gallery
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About this book

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Art > Art Collection & Appreciation
Collected and Curated introduces Chinese art and material culture through the items from the permanent collection of The University Museum and Art Gallery (UMAG), The University of Hong Kong. As the oldest continuously operating museum in Hong Kong, UMAG serves as a significant venue for contemporary art exhibitions, and excels at collecting, documenting and teaching about local and regional artists and art forms, while fostering ongoing and new relationships. Regarded as an essential teaching resource, UMAG has expanded its collection and programming through generous donations from patrons and artists, along with support from the University of Hong Kong and the HKU Museum Society. Since 1953, curators and educators have leveraged this assistance to expand, display and teach with a collection that highlights artefacts ranging from Neolithic cultures (ca. 6500 BCE–ca. 1900 BCE) to the early kingdoms and dynasties of imperial China (ca. 1500 BCE–1911). UMAG has also gained a reputation for its fine selection of works by artists—predominantly painters—of the 20th and early 21st century. The museum's mission is to provide artistic and cultural experiences that are accessible to people of all ages and backgrounds, fostering a greater appreciation for the arts and nurturing a strong sense of cultural values and belonging within our diverse community. In so doing, UMAG preserves and teaches both the past and present, serving as a platform for ongoing discussions about the meaning of art and its significant role in contemporary society.

About the author(s)

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Florian Knothe
Florian Knothe trained as a furniture maker and conservator. Previously he worked as a furniture historian for the Huntington Collection and The Metropolitan Museum of Art in the US, and has published widely on European furniture and decorative arts of the seventeenth and eighteenth centuries. In recent years, this focus has shifted towards European and cross-cultural influences in China and the reception of artistic styles in East and West. As Director of The University of Hong Kong Museum and Art Gallery (UMAG), he is responsible for the development of cross-cultural and interdisciplinary art exhibitions and educational programming, and he also teaches courses in art history and the social sciences.

About the publisher

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Since its founding in 1953, the University Museum and Art Gallery (UMAG) at The University of Hong Kong has built up a diverse collection of ceramics, bronzes, furniture and works on paper, with objects dating from the Neolithic period (ca. 7000–ca. 2100 BCE) to the Qing dynasty (1644–1911), as well as traditional and modern paintings from the Ming dynasty (1368–1644) to the twenty-first century. UMAG’s publishing program complements the museum’s activities by developing both exhibition catalogues and volumes of original scholarship on a broad range of art historical topics, with a particular focus on East Asia.

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