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Pictorial Silks: Chinese Textiles from the UMAG CollectionPictorial Silks: Chinese Textiles from the UMAG Collection

Pictorial Silks: Chinese Textiles from the UMAG Collection - Edited and introduced by Kikki Lam - Bookniverse

Pictorial Silks: Chinese Textiles from the UMAG Collection

Edited and introduced by Kikki Lam
US $20.00
US $25.00
publisher date
2020/09
|
isbn
9789887471004
|
book format
ePub
|
publisher name
HKU Museum and Art Gallery
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About this book

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Art > Art Collection & Appreciation
Art > Other Art Form
Prized by Chinese and foreign merchants as an essential commodity along a vast trade network, silk served multiple roles throughout the ancient world: as fabric for garments, as a form of currency and method of tax payment, and as a medium and subject matter for professional artists and the literati class. Over the centuries, silk fabrics have remained synonymous with beauty and are entwined throughout Chinese art and literature. Extending from the Qing dynasty to the mid-20th century, UMAG’s silk textile collection encompasses a diverse range of subjects and formats that include hanging scrolls, framed panels, banners and robes. Each artwork exemplifies the sophisticated craftsmanship of the artisans and the collective stories of the Qing dynasty’s textile industry.

About the author(s)

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Edited and introduced by Kikki Lam
Kikki Lam is a Research Assistant at the University Museum and Art Gallery, The University of Hong Kong. She received her B.A. and M.Phil. in Anthropology from The Chinese University of Hong Kong. Her current research focuses on Chinese silk textiles and Museum Anthropology. She also translated several exhibition catalogues related to East Asian arts and cultures.

About the publisher

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Since its founding in 1953, the University Museum and Art Gallery (UMAG) at The University of Hong Kong has built up a diverse collection of ceramics, bronzes, furniture and works on paper, with objects dating from the Neolithic period (ca. 7000–ca. 2100 BCE) to the Qing dynasty (1644–1911), as well as traditional and modern paintings from the Ming dynasty (1368–1644) to the twenty-first century. UMAG’s publishing program complements the museum’s activities by developing both exhibition catalogues and volumes of original scholarship on a broad range of art historical topics, with a particular focus on East Asia.

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