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Classic Furniture: Craftsmanship, Trade Organisations and Cross-Cultural Influences in East and WestClassic Furniture: Craftsmanship, Trade Organisations and Cross-Cultural Influences in East and West

Classic Furniture: Craftsmanship, Trade Organisations and Cross-Cultural Influences in East and West - Florian Knothe - Bookniverse

Classic Furniture: Craftsmanship, Trade Organisations and Cross-Cultural Influences in East and West

Florian Knothe
US $14.40
US $18.00
publisher date
2016/09
|
isbn
9789887471073
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book format
ePub
|
publisher name
香港大學美術博物館
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About this book

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藝術 > 美術設計 > 裝潢實務
藝術 > 其它藝術類型
This publication presents a selection of essays on Chinese and European furniture making, stylistic influences and workshop practices during the seventeenth and eighteenth centuries. Single chapters focus on the similarities and differences in cabinetry in East and West, and the overwhelming impact of chinoiserie on the design of furniture in early modern Europe. Individual masterpieces by cabinetmakers in France, England and Germany further exemplify the wide-reaching effect of an ‘exotic’ stylistic vocabulary and the development of an eighteenth-century fashion in the decorative arts.

About the author(s)

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Florian Knothe
Florian Knothe trained as a furniture maker and conservator. Previously he worked as a furniture historian for the Huntington Collection and The Metropolitan Museum of Art in the US, and has published widely on European furniture and decorative arts of the seventeenth and eighteenth centuries. In recent years, this focus has shifted towards European and cross-cultural influences in China and the reception of artistic styles in East and West. As Director of The University of Hong Kong Museum and Art Gallery (UMAG), he is responsible for the development of cross-cultural and interdisciplinary art exhibitions and educational programming, and he also teaches courses in art history and the social sciences.

About the publisher

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自1953年成立以來,香港大學美術博物館(UMAG)逐步建立起豐富多元的館藏,涵蓋陶瓷、青銅器、家具以及紙本藝術品,藏品年代橫跨新石器時代(約公元前7000年至約公元前2100年)至清朝(1644–1911年),同時收藏自明朝(1368–1644年)至二十一世紀的傳統與現代繪畫。UMAG的出版計劃亦積極配合博物館活動,不僅有展覽圖錄,亦出版涵蓋廣泛藝術史主題、以東亞為重點的原創學術著作。

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